White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the book she claims she wrote, and she is most certainly not Asian American—in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel.
Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.
So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.
So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously …
White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the book she claims she wrote, and she is most certainly not Asian American—in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel.
Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.
So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.
So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.
But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.
With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable.
I like the premise, the plot, the narrator and the discussion about cultural appropriation. The writing flows nicely. The pop culture references and the tweets were fun at the start too, but eventually it got too repetitive for my taste. I get that the main character was spiraling, but it felt tedious towards the end.
At times, the villain-ness of the main character felt too heavy-handed, verging on rage-bait (or was it just too close to home?). And the ending didn't do the book justice.
Creo que el thriller psicológico contemporáneo pega mucho más con el tipo de prosa rabiosa e implacable de Kuang. El comentario sociopolítico acompaña mucho mejor esta historia que Babel y, aunque se sigue atragantando de lo obvia que es, consigue hilvanarlo mejor con la trama.
Started this and was so annoyed by the main character that I did not finish. I really enjoyed Babel, I may try this again at some point. Leaving it in the tbr pile for now.
My main problem with the book was that I don't think I've ever read a first-person book in which I've found the main character so unlikable, which made it a little hard to read. But it was a compelling story that was hard to put down.
